US WUSHU CENTER
A Wushu and Taichi Academy by World Champions
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Master Gao Jiamin
An interview of Gao Jia Min with
www.CultureofChina.Com Correspondents as shown in Kungfu Mangazine,
July 2000 SERIOUS TRAINING BEGINS
She’s young; she’s
attractive; and she’s got all of
the right moves – 24 of them or 42 depending on the style of
Taichiquan that she is performing. It is her form posters that dot
countless martial arts school walls both in Asia and America. Gao
Jiamin has competed and won total of 32 gold medals, a record that has
never been achieved by any other competitor. Her gold medals include
gold medals at the Asian Games, Eastern Asia Games, the International
Wushu Championship plus many national and international meets. But
don’t let the ready smile and the quiet joke fool you, she is
a
determined competitor who has won more medals and an international
following because of her ability to focus once she steps into
competition. It is Gao's calm but flawless fluidity of style and
perfection of taichiquan forms that won her the 1998 ASEAN Games Gold
Medal in Taichiquan and a near cult status in Asia. She can’t
walk through an airport in Tokyo, Hong Kong or any city in China
without droves of fans asking her for autographs and dropping by to pay
their respects.
Gao Jiamin who now is studying English in the U.S. and helping teach at
the U.S. Wushu Center in Portland, Oregon, was born in Fuzhou City,
Fujian Province, China, in the Year of the Horse, June 26, 1966. She is
the daughter of a Chinese Naval Officer and her mother still works for
the local government. Jiamin’s father was very loving but
also
because of his military training was quite strict with her in her early
years. She reluctantly began her studies of the martial arts at age
eight. During this period, she was expected to practice Wushu at least
three hours a day at home before going to school and in addition to her
work with an instructor. “I was not a great student nor did I
enjoy school as a child. I suffered from an extreme case of
hyperactivity, and found it hard to sit in school and focus on my
studies," she explains. "What I was good at was imitating people, and
people would laugh at me when I would imitate certain types of people.
However, when I imitated people doing wushu, people were amazed at my
ability to do so with such perfection."
"My first teacher, Sun Chong Xiong, came to my grade school to teach
wushu. With Sun I studied Shaolin long fist. This was my first taste of
wushu, and it was the demand for perfection physically and the demand
for serious concentration that spurred me on in the study of wushu.
Otherwise, I may have lost interest in whatever it was because of my
hyper condition", says Gao.

Gao Jia Min insists she never thought of being a champion at the time.
But as she found that the training gave her some physical relief to her
hyperactivity and a measure of calm that greatly improved her general
health and poise, she began to appreciate the benefits that the
training regimen had worked. At age 14, Gao began serious training with
a team with her second and most current teacher, Zeng Nai Liang.
According to Gao, Zeng was a post-graduate research assistant with the
Beijing Institute of Physical Education. Zeng's goal was to return to
Fuzhou City and coach a local team to national prominence. He saw in
Gao Jiamin, a perfect instrument to achieve his goals and Jiamin
learned much from her dedicated teacher.
Under the guidance of her determined mentor, Gao began rigorous
training. However, the team's space was small at the time and there was
no carpet. In fact, conditions were very Spartan and a long way from
the space and amenities that she finds today in her present training
space at the Portland U.S. Wushu Center. Gao jokes today about the
conditions she experienced but according to Gao, "Some injuries did
occur but we were all determined to succeed. Once the coach wanted me
to focus on traditional southern style more, but I followed the advice
of Zeng." "He thought taichi would be the best for me," she adds. "It
was funny, because all those who knew me knew of my problems of
hyperactivity. Still, I knew that teacher Zeng knew what he was talking
about. I also thought that Taichi was suitable for all spaces and I
thought as a woman it was something that I could excel in my whole
life.”
"However, it was hard for me in the beginning, because I was still very
hyperactive. People would look at me funny, and say, "You can't
practice very good. You won't improve either, because you cannot
relax." Yet I was determined to succeed. First, I refused to believe
all the people that said I couldn't. To begin believing that you can't
do anything, is to accept failure. You must visualize yourself
succeeding and then success will inevitably follow if you have talent
and determination.”
To try to help her relax and gain more patience, she studied
Chinese calligraphy, thinking it would help her relax. "It did calm me,
but it was quite a challenge for me to do calligraphy over a long
period of time," she insists. "Personally, I have since discovered that
the principles behind good calligraphy and good taichiquan are very
similar. One in the same."
For beginners, Gao believes that besides relaxation the most important
aspect is the student's basic stances and physical structure. You just
don't start doing Taichi, according to Gao. Proper coaching and
monitored training is extremely important. "Proper conditioning is
essential to beginners, no matter what their aspirations," she
maintains. "I stood in the ma bu (horse stance) for many hours in the
beginning, and still do to this day. Leg strength is crucial in
building a strong foundation and protecting yourself against injuries.
The next primary step for the beginner is to practice zhangzhuan
(standing meditation)," she notes. "It is important for the beginner to
sense their qi. In Zhangzhuan, I've always felt and sensed qi, and
because I practice standing it has speed up my ability to sense and
utilize my qi in taichi practice.
FORMS - EXPECTATIONS AND DEDICATION
Gao's main practice is taichiquan and tahchi sword. However, to win the
grand championship in a national tournament, competitors must compete
in six events. This includes competition in external as well as
internal forms. The competitor who scores the highest combined score in
six events is recognized as the grand champion.
China has developed specific routines for competition. In taichi, there
is the taichi 42 hand form, and the traditional routines including:
Chen 56, Yang 40, Wu(Jianquan) 45, and Sun 73. Currently, the taichi 42
sword form is the only one that can be performed in competition.
However, at most tournaments in China, there are exhibition events
(often medals are awarded) where traditional forms and weapons are
performed.
According to Gao, "I began my studies in Yang style taichi, and then
since 1989 I have focused largely on the taichi 42 combined forms for
competition." When asked if the standardization of forms becomes boring
or predictable, Gao replies, "Taichiquan study is deep knowledge. It is
not easy to grasp."
"From the first step that you take," she adds, "there is a lot
to learn. For me I have a great respect for taichiquan, because is
takes so much time to learn the smallest of details. Therefore, I never
become bored. If taichi practice becomes predictable for the student,
then that student has lost sight or never understood to begin with the
principles of taichiquan."
"For
me, the 42 form drill is filled with many details," she suggests, "The
fact that it is based on four major styles of taichi (Chen, Yang, Wu,
and Sun) presents a great challenge to the student. Some study of these
four traditional styles will give the student deeper knowledge about
taichi and about the 42 forms. Because it is performed in five-to-six
minutes the time that may normally be taken up in a longer set and
because there are set routines, this makes judging more fair. This
requires competitors to be judged on predetermined standards."
Gao graduated from the Shanghai Sports College in Physical Education.
She has trained and practiced for 26 years under many well-known
masters. She is currently Vice Chairman of the Fujian Wushu Association
and an Advisor to the Macau Wushu Association. Gao Jiamin has done a
lot of research on the subject of traditional taichi and its origins
and development. She believes it is in the best interest of all that
taichi research and development continue. According to Gao, "The
creators and grand masters of the traditional systems were gifted, and
suffered many personal hardships to create, develop, or maintain
tradition." "Traditions and development must both be encouraged to
continue," Gao adds. "I wouldn't be doing what I'm doing today if it
weren't for all those who went before me in the history of taichi."
THE FUTURE
Gao Jiamin says that although she has been ranked since 1995
as one of the "top ten Wushu athletic superstars" in China that her
primary interest now is in teaching more than competing. "It is time
for me to help others in the same way that my coaches and countless
other more senior Taichi competitors helped me to develop my own
style", says Gao. She already has considerable experience as a teacher
having taught and coached for the Fujian Wushu team for 10 years.
Additionally she has taught overseas 20 times in Japan, Southeast Asia
plus helped improve technique and understanding for numerous European,
American and other students who traveled to China to improve their
taichi and wushu skills and understanding.
Taichiquan, according to Gao Jiamin, offers unmatched benefits as a
means of exercise, general health improvement, confidence and poise
building and as a means of establishing a balance between body and
mind. It is more than a means of exercise but also includes a
philosophy for life that includes heavy influence from taoism. It is
this philosophical influence that provides much of the benefits
according to Gao. It is this side of Taichi that she hopes to help
Americans understand. "Right now I have three immediate goals",
according to Gao, "first I want to learn English as a means of reaching
out to more students who are interested in learning Taichi. Second, I
want to during my time here in the United States, further refine my
techniques for helping foreigners to better understand the cultural
aspects of Chinese Martial Arts. Third, I want to train the next
generation of Taichi and Wushu superstars."
Gao Jiamin already successfully trained the most recent national gold
medal recipient for China in the National Taichi Sword Competition.
After meeting this active and bright "Taichi Queen", as she was called
by the Singapore Straits Times, and newspapers in Japan, it is a
certainty that she will be training the future Champions for the 2008
Olympics. This will be the first Olympics to include Wushu and Taichi
as a gold medal event. Although the study of martial arts in America
still needs much development, Gao Jiamin says that it is quite possible
that America soon may have top flight international competitors,
perhaps even possibly some of the students that she is working with
now. Women's power in Taichi is rising and Gao Jiamin is leading the
way.



